The clinical gaze that photography may endow reality is explored by Nuno Moreira in such a way as to dehumanize it, integrating it in a wider field with the intention of creating of objects similar to still lives. This line of intervention provides photography the capability of granting meaning to reality rather just duplicating it. Beyond an objective portrait, the image becomes an open field for interpretation, in which memory and the spectator's subjectivity are possibilities for new meanings. |