Dialogo sopra i massimi is a title appropriation of the famous treaty by Galileo which questioned the status quo understanding of the earth's rotation. The work of Fernando Mesquita also questions and reflects upon the understanding of his very own creative endeavours. He dwells over staged and universally accepted concepts, such as the notion of parallel, whilst simultaneously daring his own personal beliefs: in the present case, the notion of drawing as perfect while idea, never while practice. |